Chris Colfer Goes From ‘Glee’ Singer To ‘Struck’ Screenwriter

Chris Colfer, one of the stars of the hit TV show Glee, is known for his portrayal of Kurt, a confident and openly gay high school student (who also possesses pipes like a diva). In the new film Struck By Lightning, which Colfer wrote, he plays a very different character: Carson Phillips, an ambitious high school student who starts a literary magazine in order to get into Northwestern. The character is arrogant and not exactly well-liked, so how does he collect submissions? By blackmailing the popular kids, of course.

The film is set in fictional Clover, California, a name not unlike where Colfer grew up in Clovis, a small town just outside Fresno. Colfer, who wrote the script while working 70 hours a week on Glee, says that while the film is not autobiographical, some major plot points ring true. How about that blackmail thing?

“That actually was a little close to something I might actually have done in high school,” Colfer tells Weekend Edition’s Guy Raz. “When I was in high school, we had this thing called the senior project where one senior was selected every year to have their own show. … All the seniors before me always just did an SNL-like format with a bunch of skits and gags and songs, and I was the only student that ever was like, “Nope, I’m going to write a show, and we’re going to do a full production.”"

Colfer says when his classmates didn’t want to participate, suffering from major bouts of senioritis, he may have used a few things against them to get them into his show.

One thing Colfer doesn’t have in common with Carson, however, is a little more elemental: as we learn at the beginning of the movie, Carson is dead and sees his story in flashback. Asked why that’s the structure, Colfer says part of it has to do with the way people talk about the dead. “One of the biggest things I wanted to do is have a character call these people out on their fake grief and mourning. I mean, how many times are we at someone’s funeral and someone speaks at the podium, and we think, ‘Oh my God, they’re such a liar, they never knew them like I knew them, they weren’t as close as they’re saying they are.’ I think one of my character’s lines in the movie is, ‘It’s amazing how popular you become once you die.’ I just thought it’d be a great way to tell a story, from the perspective of being dead.”

But other than that little hitch, there are things about Carson that Colfer says he envies a bit, compared to his own experiences. “I really wish I could be like that and say exactly what I meant exactly when I felt it and not really give a crap what people thought. But I was the exact opposite — I really did care a lot what people thought of me. And I was not as manipulative or as smart and conniving as he is.”

On Glee, Colfer was at the center of a major bullying storyline that he says hit home in a big way. Not only was he bullied himself when he was younger, but it got so bad that he was home-schooled. “When I was in seventh grade, I was home-schooled for the second half of my seventh grade year and eighth grade year because I was really made the target of by a lot of students, and I was having my locker vandalized and my PE clothes stolen and had horrible things written on it, and my mom and my dad finally got sick of it and just home-schooled me for the rest of junior high. But then I went back to high school, and I was thrown back into the world of public schooling.”

Colfer is hesitant to take credit for how much his portrayal of Kurt has resonated with gay kids especially, giving much of it to the Glee writers, but he remembers having strong feelings about what he wanted to accomplish. “I was very, very nervous about playing a gay character and I kind of went into it knowing I wanted to make him more than just the punching bag that gay characters usually are on TV—the quirky best friend with the bitchy one-liners that we see on almost every other show.” For one thing, when Kurt came out to his father in a widely praised scene, he didn’t want it to be all about fearlessness that might ring false. “It’s the most terrifying thing kids can ever do in their life, especially at an early age, so I really just wanted to make sure there was a lot of honesty in that scene and it wasn’t so forced or arrogant, but it really was just this kid who was terrified of telling his father the truth.”

In the end, Colfer says, his high-pitched voice — which caused him no end of trouble with bullies at school — has turned out to be a blessing in disguise as it allows him to perform numbers like “As If We Never Said Goodbye” from Sunset Boulevard on Glee. “It’s crazy,” he says. “A voice that was never wanted has become a voice for so many people who don’t have one.”

He doesn’t expect, however, that that voice will necessarily last forever. “I would love to retire by the time I’m 25,” he says, “because by then I probably won’t be considered relevant anymore and no one is going to care about me. And I’m very very well aware that every actor has a shelf life, and I’m just trying to squeeze in as much as I possibly can while I can.”

He’s on track for now: Struck By Lightning is currently playing at the Tribeca Film Festival and will open wider later this year.

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‘Glee’ star Chris Colfer writes his ticket in Hollywood with films, books and a Disney pilot

NEW YORK — When “Glee” star Chris Colfer was 8, he began writing a novel. He wrote two pages, called it the first chapter and proudly showed it to his grandmother.

“She said, ‘OK, could use some development,’” laughed Colfer in a recent interview.

That memory was worked into his script for the movie “Struck by Lightning,” which premiered at this year’s Tribeca Film Festival.

Colfer wrote and stars in the movie. He plays Carson, an ambitious high-school senior who blackmails his fellow students into helping him get into Northwestern University.

The 21-year-old actor came up with the idea for the story when he was a teen as a way to vent about his teachers and classmates. He then taught himself how to write a screenplay.

“I would go to my local Borders in Fresno (Calif.) and I would study Sofia Coppola’s ‘Marie Antoinette’ published screenplay. I’d sit there — ’cause I couldn’t afford it — and I’d read it and I’d read it and I’d teach myself how to screenwrite and how to, you know, frame everything.”

Allison Janney plays his mother, and Colfer says he always pictured her in the part.

“I always had her voice in my head for some reason. Always, always,” he said.

Janney said she was unaware the part was written for her, but loved it immediately.

“I was blown away by Chris’ script,” she said. “The writing has always been the most important thing to me, and I had an instant connection to his script. The characters were funny and flawed, especially the part of his mother. Then I met with him and was completely charmed by him. … How can he be so talented and accomplished and charming and be so impossibly young? I can’t wait to see what’s next for him. Maybe directing?”

Dermot Mulroney, Christina Hendricks and Sarah Hyland (“Modern Family”) also star in the movie.

Colfer has just finished a psychological drama he hopes to shoot independently this summer. He also adapted a pilot for the Disney Channel based on Florence Laughlin’s children’s book “The Little Leftover Witch.”

He also inked a deal to publish two children’s books. “The Land of Stories,” which will be in bookstores in July, is essentially the completion of that story he began writing when he was 8.

“It came from me being a young, curious kid holding a book in my hand and wishing with all my heart that I could just fall into the book and go on these adventures with all the characters,” he said.

Colfer said he told his parents when he was growing up that he was going to write and act, and he has made good on those bold declarations. His portrayal of gay teen Kurt Hummel on the Fox show “Glee” has earned him a Golden Globe Award and two Emmy nominations.

Despite the opportunities he’s had since “Glee,” Colfer says he cannot ever really get used to fame.

“I don’t think anyone can prepare you for it. … You find different ways of dealing with it and getting used to it, but it’s not something you can totally settle your mind into. For me, I always feel like I have this massive responsibility because of the kind of platform that ‘Glee’ gave me. I can never do anything that disappoints anyone. That’s my biggest fear — disappointing those people who look up to me.”

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5 Questions From Tribeca: Chris Colfer

At only 21, Chris Colfer is already becoming a renaissance man.

Known primarily for his Golden Globe-winning turn as Kurt Hummel on Fox TV’s “Glee,” the actor surprised and impressed fans when it was announced more than a year ago that the screenplay he penned, “Struck By Lightning,” was being made into a movie. Oh, and that he’d also be starring and executive producing the flick – which also stars Allison Janney, Christina Hendricks and “Modern Family”‘s Sarah Hyland – about an unpopular high school senior who blackmails his classmates into participating in a project that’ll better his odds of getting into college.

Fast forward to the present day and “Struck By Lightning” is making its debut at the Tribeca Film Festival. For his sake, Colfer jokes he’s “wearing long sleeves” because he’s “covered in welts” from pinching himself over his latest success.

Suzanne Houchin

What inspired you to keep pushing and get this movie made?
“Glee” fans, in short. When we were on the road for “Glee,” I met a lot of kids that were full of aspirations and had no drive themselves and had no self confidence to actually pursue what they wanted to do. I thought, there’s not too many movies made targeted toward that audience that really are uplifting and show you ways it could happen. I wanted to make a movie that was funny and had all the teenage raunchiness that kids want in a movie to be entertained and also had an underlying strong message, too.

I read that Allison Janney was who you pictured to play your mom when you first wrote the script. How surreal was actually getting her?
From the very beginning. It was insane. The only difference between her performance in the movie and what I pictured in my head was her hair was just a little shorter in my head. That’s all. Everything else is exactly how I had always imagined it.

Are you working on other screenplays?
My next project, hopefully we’re going to do it this summer. We’re going the same exact production route, doing it as an independent movie. I have a director. It’s a very different movie for me – it takes place in an asylum in the 1930s, which is very similar to high school if you think about it. Crazy people running around with other people telling them what to do. Did you have restraints in your high school? Because I did.

I actually had to do tons and tons of research on it. I had these crazy, suggestive books that I was carrying around with me – like “Asylums for Dummies” and “Schizophrenia for Dummies” and “How to Deal With Mental Health” – all these things that I was reading and highlighting on set and people were giving me these weird looks like “He’s finally lost it.” I really immersed myself with the material.


So are all your “Glee” castmates begging for parts?
Jokingly, yes, but they’re all off doing their own things. They’re having albums coming out and little projects here and there. They don’t need me. They’re all busy too.

With Kurt graduating this year, are you going to be on “Glee” next season?
I think so. Things are still kind of up in the air. I’ve heard rumors and I’ve been told a couple things so I’m anxious to see how they’re going to do it.

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GLEE’s Chris Colfer on Tuning Out the Bullies

Chris Colfer Talks His Screenwriting Debut ‘Struck By Lightning,’ and Explains Why He Didn’t Cast His ‘Glee’ Co-Stars

Chris Colfer has already proven himself singing, dancing and acting his way into the hearts of fans worldwide in Fox’s hit TV show “Glee.” On Sunday, Colfer proved himself to be a quadruple threat after world premiering his snappy and ambitious screenwriting debut, “Struck By Lightning,” at the Tribeca Film Festival, to a standing ovation.

Colfer, who’s 21, started working on the screenplay when he was 16, before “Glee” came along. He began by developing the many characters that make up his coming-of-age tale and in his junior year molded it into a 10-minute piece for a speech and debate event, Original Poetry and Prose, where he played every character. Fast forward five years later and Colfer’s expanded script finds its way to the screen with “Saved” director Brian Dannelly at the helm, and a cast that includes Allison Janney, Christina Hendricks and Dermot Mulroney.

In “Struck By Lightning,” Colfer plays Carson, a senior who will do anything to get into his dream school, Northwestern University, and away from his depressed and alcoholic mother (Janney), who keeps holding him back from realizing his dreams.

Indiewire caught up with Colfer the day following its world premiere.

I feel like I’m interviewing one of the Beatles.

Oh God!

I’ve never experienced the “Glee” mania before.

It’s crazy.

Do you ever get used to it?

No. I hope I never get used to it.

I want to know about last night in terms of the nerves you must have been feeling.

I don’t think I’ve ever physically been that nervous before in my entire life. Aside from maybe auditioning for “Glee.” The studio network tests, probably. But never before. I felt like I was getting married. I felt like it was my wedding. I saw relatives in the audience, there’s some strangers. Everyone was waiting for me. And yeah, it was crazy.

How did it go over?

Pretty well, I think. We’ve gotten a really good reception to it. And the fans who were there, who I pretty much made the movie for, seemed to really enjoy it. So that’s all that matters.

About the film’s genesis, I know it started back when you were in high school, but I want to know exactly what inspired the initial 10-minute piece.

Basically, day-to-day frustrations. It was a screenplay in my head before it was the speech and debate. And I would just come home and I’d vent into the script about my frustrations with my classmates and my teachers and my hometown and high school. And then I found out what OPP was and I was like, “Oh I gotta use this for that,” and I did. And I did horrible in it. I don’t think I even made it to the finals round with it. And then I was on “Glee” and found myself on a platform where I could make the movie and I jumped on it.

How did you whittle it down to 10 minutes? Because the script is so expansive. There’s so many characters.

I whittled it down to four characters. I was Carson, the mom, the grandmother and the principal. So those were the only four characters that made it.

I was still writing the screenplay when I transferred it to there, so it wasn’t like a finished project or anything. But I really just made it a story that focused on Carson’s journey and kind of how he found happiness right before he died. Did the same thing in the movie where it’s flashbacks to people speaking at his funeral and how they really treated him in life.

Carson’s such an interesting character. I’m so used to seeing you on “Glee” so it was kind of jarring to see you play this… you know, he’s likeable but he has qualities that are kind of hard to…

There’s no reason to like him, but you like him for some reason, yeah.

Is he you?

I wish!

“I was never brave enough to blackmail anybody in high school. Much.”

Obviously, you share some similarities.

Yeah, we look almost identical (laughs). He really is who I wish I was in high school. And there’s tons of traits that are me. I guess the drive, for one. The need and wanting to get out and do something. But I was never brave enough to blackmail anybody in high school. Much.

Much?

Well, the whole blackmailing came from me from when I was in high school and I did a show called “Shirley Todd” which was a spoof of “Sweeney Todd.” None of my friends wanted to be in it so I kind of blackmailed them into being in it. There was a vegetarian, a die-hard vegetarian, and I found a hamburger receipt in her car. I was like, “You’re going to be in my show.”

Obviously people are going to be comparing the character to you given the fact that you were the head of your own writing club…

Right, but that’s really the only autobiographical element there is.

Are you ready for people just presuming that this is your story and that you’re putting it on film for the world?

Yeah, but it’s funny. I should remind people that I’m not dead.

That’s true.

So they should know that it is a work of fiction because I am, in fact, still alive. But I’m not really worried about it as much as my parents are worried about it. My mom is scared shitless because she’s afraid people are going to think that’s her. And those are not my parents. My parents are still happily married. And I have a sister. I never had a traumatic divorce that I had to be a part of. But there’s some real-life elements in there.

“My mom is scared shitless because she’s afraid people are going to think that’s her. And those are not my parents. My parents are still happily married.”

So it seems like you come from a healthy upbringing.

For the most part. I have a sister with special needs, so I had a very rough upbringing because it’s really hard to watch your sister go through that and not be able to help her. So I think that’s one of the reasons why I had Carson’s parents go through this horrible divorce because I wanted to show something that made him, the reason why he was so smart. Too big for his britches. The reason why he had to grow up at this young age.

What inspired the character of the mother because she’s so clearly defined and the relationship between you two, so beautifully rendered.

Honestly, what inspired me the most was this woman that I saw at Legoland once.

Legoland?

There was this woman at Legoland who was in a bathrobe, dark sunglasses, was with her kids, did not want to be there and she was really kind of the inspiration for Sheryl. And also just the contrast of him. Carson is a guy that’s stuck in the future, and she’s a woman that’s stuck in the past. And that’s why they clash so much.

What was it like seeing an actress like Allison Janney speak your words?

Well, Allison was the only actress I ever had in mind to play that role. In fact, when I did it in speech and debate, I kind of imitated Allison. She’s the only actress I’d ever envisioned. And it’s so crazy that we signed her on. She’s an incredible woman and so so talented. It was just an honor to get to work with her.

And Polly Bergen. It almost hurts my soul that people my age don’t know what a legend she is. I mean, I could list her resume, but she was the first woman to ever play the president ever in anything. That’s crazy. And a Broadway legend. She’s just an icon. And I’m so glad that she was a part of it. And we got Christina [Hendricks] and Dermot [Mulroney] and won the jackpot. And Rebel [Wilson] was cast the night before we started filming.

I love Rebel.

She deserves it. She deserves everyone to be in love with her. She’s awesome.

I interviewed her recently at Sundance and she did this 30-second impromptu rap in the middle of her interview. It was very good.

Were you the only one in the room?

Yeah, I was the only one there. I asked her to, but she did it.

(Laughs) Yeah!

So take me back to the first day on set and what it was like to see it come to fruition?

The first thing we filmed was the death scene. When I died. And we went over and filmed the scene where I’m beating the sign. So that was the first day. And I was exhausted because I had literally gotten off a plane the night before from the “Glee” tour. So I had just gotten in from London and I was jetlagged and so tired. So maybe in that breakdown scene, I was really having a breakdown (laughs). But yeah I was tired, but so excited. Physically exhausted, but so mentally alert and ready.

Let’s talk about the grueling schedule because the press always makes note of the fact that Ryan Murphy runs you guys to the ground on “Glee,” with all the touring, rehearsing, recording and shooting. When did you find time to write/shoot this?

I honestly wrote this script on set on “Glee,” in between scenes, in between lighting setups on set. Which doesn’t seem like a lot of time, but we’re there so much it actually was quite a bit of time to sit down and write. I just wrote it on set.

What gave you the drive to get this made with the fact that you’re so busy?
It was “Glee,” it really was. It was meeting kids that loved “Glee” and hearing their stories about how they had all these aspirations but no drive and no support. A lot of them didn’t have any support in their life to set them in the right direction. And I really wanted to show the story of a kid who did not have any support. The only support system he had was his grandmother who doesn’t even remember him. But he’s still driven because all he had was drive. I was so sad to hear these stories meeting these kids with all these aspirations, but no belief in themselves. And I thought that was really an important story to tell.
Ryan Murphy must no doubt be very supportive of this endeavor.

Yeah, he hasn’t seen it yet, but I’m assuming so, yeah.

Is there a reason you didn’t include any of the cast [of “Glee”]? People are going to be curious given that it’s a high school-based film.

We had just got off the tour! I didn’t want to have any of them do the movie. I was the only crazy schmuck doing a movie between the tour and set. But it was funny because they were all like, “Why didn’t you include…?” or “I would have been in the background.” You were taking a nap, come on!

But you wanted to?

Yeah, I think. Well, I don’t know. I think I’m too young in my career to have those tongue-in-cheek moments like “Oh this is my best friend in real life.” I should keep my roles separate for a while.

You’re probably going to get this question a lot, but is there a reason why you didn’t clearly define the sexuality of your character?

A big reason, yeah. I feel like the character has a major message, a story to tell. And I was afraid that if we labeled him as gay or if we labeled him as straight, whatever orientation we identified him with, anyone watching with the opposite orientation would not identify with the message. And just in my experience with “Glee,” you have this story about gay kids, the straight kids stop listening. You have a story about straight kids, the gay kids stop listening. You think, “Oh this isn’t about me, I can’t relate to this.” I want to make sure anyone can relate to him. But to sum up Carson’s sexuality, I would say that Carson has a crush on Rachel Maddow and it confuses him.

(Laughs) Rachel Maddow?!

That’s his pin-up girl. That sums up his sexuality.

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